I use serial compression a lot, with multiple types of compressors compressing a couple dBs at a time. Since a de-esser is basically a frequency dependent compressor it makes total sense to think of them the same way. If you want to know exactly what a de-esser really does, and how you can actually create one with an EQ and a compressor, I wrote this article 7 years ago: How to Create a De-Esser from Scratch. I had never thought to use multiple de-essers at a time, but Sigurdór had some great thoughts on the subject. However, it’s usually after EQ and compression. I usually put a de-esser on a vocal once I hear that it’s needed. “As far as de-essers go, where would you put them in your process chain? Beginning? After wideband compression? EQ?”
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